Bhupen Hazarika for his outstanding contribution to Indian cinema and music. After that I think his album with the song “O Ganga Behti Ho Kyon.”, couple of songs from ‘Darmiyaan’ (1997) and other non-film songs was released which I bought during my stay at Bareilly. That was the magic of the voice of Bhupen Hazarika and also the lyrics of the songs describing the various ‘common individuals in the society – the poor, the downtrodden, the suppressed ones’ and specially depicting the culture of Assam.Īround the same time, I think (June-July of 1993) the songs of ‘Rudaali’ were released and had became popular so the cassette of ‘Rudaali’ too became a part of my collection. Before that the Dadasaheb Phalke award for 1992 was announced it was conferred on Shri. First time I just listened and was curious to know from my friend about the information on Bhupen Hazarika that he was aware of. Thereafter that evening I keep listening to the cassette changing sides till I went to sleep. I still remember the day 14 th May 1993 (I was staying at Kota-Rajasthan then) when I bought ‘Main Aur Mera Saaya’ on HMV Cassette and me and one of my colleagues from Bengal listened to it. And that was only about how I get introduced to the ‘World of Bhupen Hazarika’ through his album ‘Main Aur Mera Saaya’ (2/1993) and his songs like from the movies that I know ‘Rudaali’ (1993) and others, and the famous non-film song “O Ganga Behti Ho Kyon.”. I have always wanted to write an article on him since I came in to the contact with the blog. Today 5 th November is the eighth remembrance anniversary of Bhupen Hazarika (8 September 1926 – 5 November 2011). I am not adding any adjectives before his name because they will not do justice to describe the ‘personality’ he was, the monumental work he has done, the legacy he has left behind, and finally the ‘human for humanity’ he was. If this article appears in other sites without the knowledge and consent of the web administrator of, then it is piracy of the copyright content of and is a punishable offence under the existing laws.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.
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